Classical Music
Indaily Online Adelaide - July 4 , 2008
Indaily Online Adelaide - July 4 , 2008
Kathy the Key
November 14, 2007
November 14, 2007
Passionate Performance combining Vitality and Musicality
Sept 10, 2007
Sept 10, 2007
Sparkling Sounds generate a Gem
Sept 8, 2007
Sept 8, 2007
Friends Share the Honours
Sept 7, 2007
Sept 7, 2007
A Cello Celebration
Sept 11, 2007
Sept 11, 2007
Trio's Warmth Saves a Rainy Day
August 21, 2007
August 21, 2007
Janaki String Trio with Kathryn Selby
Adelaide Advertiser - May 23, 2007
Adelaide Advertiser - May 23, 2007
Glorious Music captured with Elan
Canberra Times - May 17, 2007
Canberra Times - May 17, 2007
Youth and Beauty on Janaki's side with impeccable Penderecki
The Age - May 18, 2007
The Age - May 18, 2007
Fast and Fearless but nary a note missed
SMH - May 17, 2007
SMH - May 17, 2007
Remember the Name
Stepping Out - May 18, 2007
Stepping Out - May 18, 2007
Selby and Friends
The Age
The Age
Promising Start for TRIOZ
Canberra Times - March 22, 2007
Canberra Times - March 22, 2007
TRIOZ a Choice Pick
30 March, 2007
30 March, 2007
Trio Takes a Pew
www.smh.com.au February 6, 2007
www.smh.com.au February 6, 2007
When Three's Company
The Manly Daily - Stepping Out February 9, 2007
The Manly Daily - Stepping Out February 9, 2007
Back with help from her friends
Canberra Times - Arts & Entertainment January 16, 2007
Canberra Times - Arts & Entertainment January 16, 2007
SMH
Peter McCallum
March 22, 2007
WITH goodwill in their hearts and discomfort in their bottoms (courtesy of the protestant severity of the pews of St Andrew's), a generous audience turned out to wish Kathryn Selby and friends well for the first day of the rest of their lives - the first concert of Selby's post-Macquarie Trio existence after its implosion last year.
A member of that trio once said that playing chamber music was like a marriage. You can say that again. As with many postmarital gatherings, there wasn't a Y chromosome in sight. Who needs them? Three strong women, each with a different take on what makes music interesting, make up Trioz. Selby, as the most experienced in this repertoire, kept the tempo moving and maintained musical cohesion when the others were tempted to pause and dwell on a topic.
The violinist Niki Vasilakis is an instinctive, big-boned player with natural feeling for the romance and sweep of the violin sound. She made a fine recording recently of the Bruch Violin Concerto and only has to guard slightly against playing everything as though it were that concerto.
The cellist Emma-Jane Murphy leans forward and grabs each moment with insistent eyes and magnetic intensity, sometimes at the risk of staring down an innocent pleasure. It is refreshing to hear performers who play out and don't always sound as though they are trying to win a competition.
The technical polish is high, but it is the differences and dissonances of personality that create the interest and the chemistry - enough chemistry in fact, to make a marriage. Beethoven's Kakadu Variations was like three ice-skaters doing fascinating warm-ups but in separate parts of the rink. The opening adagio was on the slow side and the drawn-out lines tended to lack tension. Mendelssohn's C minor Trio seemed made for these players.
Ravel's great Piano Trio of 1914 was played with virtuosic command and fearless projection. Occasionally the performance could have benefited from more rhythmic discipline and reserve. With friends like these, who needs marriage?
Peter McCallum
March 22, 2007
Selby & Friends: Trioz, St Andrew's Cathedral, March 20
WITH goodwill in their hearts and discomfort in their bottoms (courtesy of the protestant severity of the pews of St Andrew's), a generous audience turned out to wish Kathryn Selby and friends well for the first day of the rest of their lives - the first concert of Selby's post-Macquarie Trio existence after its implosion last year.
A member of that trio once said that playing chamber music was like a marriage. You can say that again. As with many postmarital gatherings, there wasn't a Y chromosome in sight. Who needs them? Three strong women, each with a different take on what makes music interesting, make up Trioz. Selby, as the most experienced in this repertoire, kept the tempo moving and maintained musical cohesion when the others were tempted to pause and dwell on a topic.
The violinist Niki Vasilakis is an instinctive, big-boned player with natural feeling for the romance and sweep of the violin sound. She made a fine recording recently of the Bruch Violin Concerto and only has to guard slightly against playing everything as though it were that concerto.
The cellist Emma-Jane Murphy leans forward and grabs each moment with insistent eyes and magnetic intensity, sometimes at the risk of staring down an innocent pleasure. It is refreshing to hear performers who play out and don't always sound as though they are trying to win a competition.
The technical polish is high, but it is the differences and dissonances of personality that create the interest and the chemistry - enough chemistry in fact, to make a marriage. Beethoven's Kakadu Variations was like three ice-skaters doing fascinating warm-ups but in separate parts of the rink. The opening adagio was on the slow side and the drawn-out lines tended to lack tension. Mendelssohn's C minor Trio seemed made for these players.
Ravel's great Piano Trio of 1914 was played with virtuosic command and fearless projection. Occasionally the performance could have benefited from more rhythmic discipline and reserve. With friends like these, who needs marriage?











