In the Shadow of War

20th - 29th August, 2022

The surprising connection between the three works on this program is that of wartime conflict and how it impacted each composer. Australian Matthew Hindson, composing in 2015, was motivated by the thought of how a young person living 100 years before might face the prospect of going to war. For Shostakovich, this great work was formed from the spectre of a world at war in the mid-20th Century. He found it almost too much to bear and the singular transparency of his empathy with the victims is what makes the work an immensely powerful experience. Most people don’t think of Schubert in terms of conflict, but in fact he was surrounded by the constant threat of war during the Napoleonic era. One may never know the true impact this had on him and whether his penchant for song grew from a desire to avoid any conflict and embrace love and beauty. With our young friend Grace Clifford sadly unable to join us due to injury, we are excited to welcome the wonderful Sophie Rowell with Kathy and Tipi on this journey of exploration.

Matthew Hindson (1968- )

‘1915’ (2015)

Dmitri Shostakovich (1906 – 1975)

Piano Trio in E minor, Op. 67 (1944)

Franz Schubert (1797 – 1828)

Piano Trio in E flat Major, Op.100 D.929 (1827)

DATE CITY VENUE TIME
Sat 20th August4:00 pm
Sun 21st AugustTurramurraTurramurra Uniting Church2:15 pm
Mon 22nd August7:00 pm
Tue 23rd AugustMelbournePrimrose Potter Salon, Melbourne Recital Centre7:30 pm Sold Out
Sun 28th AugustAdelaideElder Hall, University of Adelaide2:15 pm
Mon 29th AugustSydneySydney City Recital Hall7:00 pm

In the Shadow of War (Twilight Series)

The Twilight Series at Melbourne Recital Centre is a one hour concert, with no interval, beginning at 5pm.

The surprising connection between these works is that of wartime conflict and how it impacted each composer. In the case of Australian Matthew Hindson composing in 2015, he was propelled by the mere thought of how a young person in 1915 might face the prospect of going to war. Most people don’t think of Schubert in terms of conflict, but in fact he was surrounded by the threat of war during the Napoleonic era throughout his short life. One may never know the true impact this had on him and whether his penchant for song grew from a desire to avoid any conflict and embrace love and beauty. Grace, Kathy and Tipi will take this exciting journey of exploration will be exciting indeed.

Matthew Hindson

1915

Franz Schubert

Piano Trio in E flat major, Op.100 D.929

DATE CITY VENUE TIME
Tue 23rd AugustMelbournePrimrose Potter Salon, Melbourne Recital Centre5:00 pm

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