What’s a year among friends?
By Peter McCallum
November 4, 2019 — 11.52am
Beethoven’s Back, Selby and Friends
October 29, City Recital Hall
Beethoven was confused about his own age for much of his life and may well have rejected the idea that we celebrate his 250th birthday next year, perhaps suggesting we wait until 2022. The final 2019 Selby and Friends concert nevertheless got in early with a program featuring chamber music for strings and piano, a genre in which he was an undoubted innovator.
His last work of this type, the Cello Sonata Opus 102, No. 2 in C major is remarkable for its compressed economy of expression and form. Cellist Richard Narroway approached it with quiet cogency, the ideas understated but well understood. In the shimmering modulation leading into the emphatic second idea of the second movement, I felt he and pianist Kathryn Selby could have emphasised more the momentousness of the shift but this was an intelligent performance nevertheless.
In the Violin Sonata Opus 30, No. 2 in C minor, violinist Andrew Haveron projected with immaculate tonal finish and commanding precision over a wide dynamic and expressive range. Both he and Selby captured the work’s turbulent boldness and played the lyrical slow movement to telling effect.
There was similar commanding breadth in the less-frequently played Piano Trio in E flat, Opus 70, No. 2 after interval. Given his dissatisfaction with performances in his own day, Beethoven may well have appreciated the empathetic ensemble precision of this concert. Just don’t mention his age.